Go… !

Here at ACMA there’s talk of finding a mascot. With just over a quarter century of history behind us, the thinking goes that it’s about time we landed on a little more cohesive identity, an easier way for the community around us to recognize that we’re more than just the sum of our parts, and that whether a student is a poet or a painter, dances, makes films, or acts, she is a part of a dynamic creative community where she can be herself and be part of something bigger than any one student or one program.

I love the acknowledgement that we are an all encompassing haven for artists of many kinds. There is a tremendous and unifying power to the creative process, and whether we sculpt, write, make music, or make sets, the very nature of creating art gives us all a common point of view and shared sensibility. Art unites us.

Now, that mascot.

The truth is… and I may be in the minority… I love the fact that we haven’t ever limited ourselves to just one mascot. There is a delicious possibility in the notion that on any given day we could be anything we choose. Van Gophers? Could be. Therapy Llamas? Could be.

As I explained to a friend the other day, we’re the David Bowie of schools, some days Ziggy Stardust, some days wearing a suit and singing about getting to the church on time. Try to tie us down and we’ll slip right through your expectations.

Screen Shot 2017-11-08 at 1.32.41 PMGo Chameleons?

Could be.

Or today we might just be the Spiders from Mars.

But such nonsense may not be the unifying reality best for our school. Maybe we would benefit from a single image to rally around, a metaphoric melody we could riff on. Heck, it could be fun.

So it’s with a smile and an open mind that as we move toward winter the discussion of how best to celebrate and communicate our school begins to take shape.

Over the next few weeks we’ll reach out to students and alumni, teachers and staff, and ask for ideas about how we might best articulate ourselves to the world beyond our campus. What, we’ll ask, can we do to clearly present who we are and what we do?

We’ll always be ACMA. We’ll always be a place where creativity abounds and creative souls are honored, encouraged, and challenged to make art. We’ll always think just a little differently and not be afraid to create works that show that spirit.

And as we begin our second quarter century we will take the time we need to connect with each other and articulate our own artistic identity. No matter what the outcome, this is a process that is good for us as a collection of artistic individuals.

Past graduates, current students, and staff from every year, ACMA is your school and it always will be. If you’re a little unsure about the notion of a mascot, I invite you to join me in suspending disbelief, knowing all will be well, and believing in the power of art to guide our adventure at ACMA and beyond.

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National Holiday

I saw my first unicorn at 6:35 am. She walked out of the dark and into the cafeteria to stay warm before school, joining a pack of students who had spent time planning and creating costumes for a big day at Arts & Communication Magnet Academy.

IMG_4894Back in the main office, after a bus duty of watching remarkable creations walk onto campus, I found two pirates smiling at the pumpkin left anonymously the night before and decorated with my name and a llama, a reference to Rojo, the therapy llama, who had visited earlier in the month.

Together we laughed at the parade of costumes that stopped by: The Hulk, complete with green face paint; an impeccably mustachioed gondolier, whose facial hair was as carefully sculpted as it was real; and a body builder toting a giant dumbbell and looking like someone out of a 1920s circus …and those were some of my teachers.

IMG_4897Here at ACMA we begin each day by playing music over the PA in lieu of a bell, and as we were getting ready to cue up the theme from Harry Potter The Cat in the Hat stopped by, joined by a cheetah, and Chuck Norris …more staff.

Students got into the act as well, an outpouring of creativity that captured the outrageous skills our students have in art and performance. Clowns and zombies, Ghostbusters and vegetables, dogs, cats, fairies, and even a skunk, the wild abundance of costumes was overwhelming. Stepping into the hall as the opening strains of Harry Potter filled the school I saw …everything. Herds of unicorns. Tweedle Dee and Tweedle Dum. Chefs. Cowpokes.

IMG_4914At lunch I hung out with a seven foot tall satyr.

I must have looked a little overwhelmed at the spectacle of it all when one of my math teachers smiled at me and said: “Here at ACMA Halloween is a national holiday.”

What a glorious thing that is.

I love that ACMA, as strong academically and artistically as it is, is on an average day a school of plush ears, horns, and tails. Our students, and our staff too, know the value of having fun and expressing themselves. Today’s costumes didn’t have to be fancy or expensive; the best were hand crafted celebrations of the creative spirit.

ACMA is a place where students make art and live life artistically, and on the 31st of October …well at ACMA that’s a national holiday.

Tunnel of Love

It would be a lie to say I love it, but there is a part of me that will miss San Dieguito’s “tunnel” when it’s gone in a just a few days.

early tunnelThe demolition of two buildings and construction of a new two story science and math building in the center of our campus ushered in my first year as principal at San Dieguito with the crash of a wrecking ball and rumble of heavy machinery. Bulldozers and cranes have been a part of my school ever since it became my school, and with a tight squeeze along a major north/south walkway, construction prompted a creative solution to student safety: building a massive wooden wall with a ceiling to separate students from construction.

It is, I realized, one of the few things about San Dieguito that is entirely mine. There was no “tunnel” (as it came to be called) before I was principal, and the wall will be gone before another principal arrives on campus. In its way, the tunnel captures some of the spirit of my time as principal at San Dieguito.

tunnelI arrived to construction and its attendant challenges, and found that the school, the students and adults who make up the San Dieguito family, are greater than any adversity, particularly that prompted by shovels and jackhammers.

The existence of the tunnel was a necessity; the students’ response was unexpected and beautiful. Seeing wood, they brought out paint.

They started with pictures: a horse, a peace sign, hearts, and even the Death Star.

Soon an art teacher and her painting class brought some cohesion, adding wheels, windows, and the concept of a train. More images appeared: fruit, animals, and a painting of a mountain that looked like it could be framed and put in a gallery.

fine art on plywood

This was a creative solution to an immovable challenge, functional first, but soon a place for students celebrate their diverse artistic voices.

Was everything perfect? No. Life isn’t, but on this imperfect, evolving, and unpredictable canvas our school got to see the kaleidoscopic spirit of our student body.

The tunnel filled with color, originality, and whimsy.

Images grew, vibrant, beautifully silly, and sometimes profound.

They are, by the nature of the tunnel, transitory, “very SDA,” and (soon) gone.

tunnel

Giving a construction tour of our rainbow colored “tunnel” to board members, the SDUHSD Prop AA Citizens’ Oversight Committee, and local press.

At the Bower Museum

photo 1 (2)Today I looked into the eyes of a two thousand year old man. His expression, serious and enigmatic, looked back at me from across centuries and I couldn’t help but think that in another two millennia I’ll be dust and that terra cotta figure from a Chinese tomb will still be gazing out at museum goers through an inch of protective glass.

The power of art never ceases to astound me. Whether a piece of music, a play, or poem, the products of creativity offer humble humans like us the opportunity to transcend time.

Some works -those chiseled in marble or carved into mountains- offer the illusion that they will outlive any others. Some -sculpted in movement or performed onstage- seem more transitory, their lives lived in those magical moments shared between artist and audience. But art scoffs at these distinctions. Remember “Ozymandias.”

…Two vast and trunkless legs of stone
Stand in the desert . . . Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains…”

That recent archaeologists have dug up something they could link to Shelley’s description matters little; it is the words of the poem that people remember, not a statue. Thank art for another good reminder not to pin our ambitions on a single work, no matter how solid, but rather to revel in the act of creating.

The product of this creation matters far less than the action of imagination. A song can be forgotten, a canvas scraped clean to make way for another painter, a statue shattered. The feeling of writing, painting, dancing, or digging fingers into clay, however, stands a chance of being transformative.

What this transformation means could be far ranging: seeing the world through the eyes of another, maybe finding beauty in the unexpected, or inspiration in the struggle of life.

For students there may be no more important kind of lesson than art.

clayEncouraging students to make our, both in their comfort area and beyond it, is a privilege and challenge for all of us who make education our life’s work.

Arguing for science or math education is an easily justified endeavor. Statistics abound that show how a strong course of study in the hard sciences can lead students to careers that make a difference.

The humanities also matter much; good communicators with a sense of history and proportion are not only a vital component to our civil society, but sometimes are the only voices capable of helping us put into perspective the complicated world we live in.

photo 4 (2)Painting? Poetry? Dance?

Without veering into a speech from Dead Poet’s Society, I’ll simply argue that the students who make art create for themselves a richer world.

The same four year old who moves to “The Wheels on the Bus” may find a similar release at fourteen when she choreographs a dance to something by Branford Marsalis. The six year old so proud of his work with crayons and construction paper may find, at sixteen, that through oil on canvas or pen and ink scribblings in a sketchbook he is able to make sense of the strange and wonderful journey into adulthood.

photo-2-2Beyond these very personal relationships with creating art, students benefit from the process of goal setting, the productive struggle of bringing vision into being, and the focus required to make art.

I once worked with a gifted sculpture teacher who called these “soft skills,” though truth be told I don’t see anything soft about them. Successful artists, as well as successful humans, develop a vision, create a plan, and work extraordinarily hard to make this art take shape.

Ballet or ballad, triptych or tragedy, the product these young artists create and the process by which they create it as as important as anything they learn in a lab or a lecture hall.

Why art? Because it matters.

It matters to artists and to audiences.

Art makes a difference in individual lives and in the lives of communities. At its best it transforms spirits and might, just maybe, reach across generations and connect with a stranger, terra cotta eyes inspiring reflection.

Art, Angelic

At the round earth’s imagined corners, blow
Your trumpets, angels, and arise, arise”
John Donne

I sat in the darkened theater listening to the orchestra’s introductory suite, anticipating the actors preparing to step on stage. I’d been over to the theater earlier in the week, returning a wig and glasses those artistic souls had loaned me for my own performance at an assembly, and had seen the opulence of the set: a tree winding its way to the sky, arched windows in a wall of stone, and a throne resembling something out of Henry V.

addamsI’d watched a preview of the musical number that started the show, a witty tune complete with snapping, a light bulb, and a tango interlude. These were outrageously talented students and the evening was young.

Art has a way of elevating our human experience, and working at a school with a thriving artistic heart never ceases to inspire me.

I know that the intellectual underpinnings of what we do at school matter much, and watching a student lead her peers through a difficult math problem, or seeing a young scientist collaborate with others to learn how to do bone repair in a science class brings its own sense of hope for our world. Math, science, history, these all help to form our future; art transforms us.

photo-4-3I see this magical transformation when I walk into the student art gallery on campus and take the time to really look at the paintings and sculpture of our student curated shows. It’s there in the sounds of students playing guitars on the lawn as they make music together, some of it their own. I see the transformative nature of art in every senior tile on campus, a legacy of ceramic squares that reaches back for decades and reinforces to students that each of them contribute to this school and its history.

Just this week a new mural went up on the outside wall of our screen printing shop (itself a realm of wild creativity). Not only is this new piece of student work transformative, but it also transforms. The student artist incorporated living moss along with the painted image; it is a mural that will literally grow over time. How wonderful to know that there are places in this rational world where dreams can become reality, where flights of fancy take to the air, raising our collective spirit with them.

stephanie-rivera-mural

Four centuries ago the British poet John Donne noticed (in verse) that while the globe was round, our human imaginations can transfigure “imagined corners” into something angelic. I see it every day on our campus, and felt it profoundly that night in the theater as trumpets not unlike those described by Donne finished the orchestral introduction, the curtains opened, and the winter musical began.

Great actors can elevate comedy into emotional resonance, and these students did. Songs soared, laughter burst from the audience, and for a couple of hours every soul in the theater was allowed to be a visitor to a world of artistic inspiration.

Our education system values facts and formulas and figuring things out, and it should. But just as we want our students to be able to navigate the globe, so too how important it is that they can find their way through art to the earth’s imagined corners.

The Girl in the Garden

I’m a bit of researcher. I love learning about things, cracking open history books, going exploring around my own school’s campus in search of stories, and talking with folks who were there then and are willing to share. And…

Sometimes the pinch of magic that comes from ambiguity is okay too.

It’s like that for me with regard to the girl in the garden. I noticed her during my first summer at San Dieguito, looking out from a corner of campus designated as the “SDHS Natural Habitat” by a wooden sign that looks like it came from decades ago. She is smiling, and looking off as high school students do toward a future only she can see.

photo-4Over time I’ve seen her move. No. I’ve seen her in different parts of the garden. Most often after such a relocation she stays for a bit. Still smiling. Watching our current students move from class to class as the seasons turn from fall to winter to spring to summer.

A little research could probably tell me where she came from. A conversation with our ceramics teacher, perhaps, would let me know the student who created her or the year of her birth. I’m not sure I want to know.

Because I see in the girl in the garden the embodiment of San Dieguito.

She is quiet, but independent. Her very presence, and the fact that in all my time at San Dieguito she has never been damaged or toppled, speaks to the hundreds and hundreds of current students who see this fragile thing and choose to enjoy it, respect it, occasionally move it, and not make mischief.

She speaks to the desire to exist creatively. The garden was there before she was, but at some point a student artist looked at the space and thought: it needs her. Like Wallace Stevens “Jar in Tennessee” this piece of art sees the garden grow around her. She is the human drive for art manifested, not ostentatiously, but with a subtle smile.

photo 3.JPG

The girl in the garden moves me because I, like so many of us here at San Dieguito, embrace the spirit of creativity and the transformational quality of art. We are part of a school family that takes pleasure in the little kindnesses we see and contribute to the community of acceptance and unexpected generosity. That any of us are capable of being the genesis of the girl in the garden makes me thankful for the true artist and appreciative of the ambiguity that surrounds her creation.

This summer will see new construction in the part of San Dieguito where the garden is now. The girl in the garden will need a new home while bulldozers plow through and cranes build a structure that will house new art studios, ready to provide another generations of artists with the tools they need to create. That she will be back when the new building opens in 2019 I have no doubt. Ambiguity in her origin is a delight, as is certainty in the longevity of her inspiration.